Lucas Kuzma
lucas [] machinatus [] net
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Lucas Kuzma was first compiled in Gliwice, Poland and subsequently extended with internet protocols in Ohio in the early 1990s. He was further developed in San Francisco during the dot com era, processing interactive design for clients like Absolut, Adobe, Macromedia, Adidas and HP. Showing some wear, he downloaded updates in design and media art from UCLA as well as in music technology from the MTG in Barcelona. Recently, he has been restarted in Los Angeles with the launch of "The Strange Agency" version, which produces experimental art and music applications for the iPhone. The complete, pro version of Lucas Kuzma will be released in 2010 with an interactive design and mobile applications kernel in addition to the original programmer/artist/musician package. |
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Kuzma comes preloaded with over a decade of experience with object-oriented MVC Flash programming for big and famous brands including Adidas, Adobe, Electronic Arts, K-Swiss, P&G, Macromedia, Prudential, Ernst & Young, Pfizer, Redken, Absolut, HP, Inktomi, Altoids, Discover Card, Disney, Dwell, Ebay, Nabisco, and Nickelodeon. His bootloader quickly instantiates a full LAMP stack to deliver dynamic, data-driven websites with managed content, access control, targeted delivery, and extensive use-tracking. Use Lucas to handle your client-side, server-side, and database programming needs. |
| » Ecstasy of Communication | » Continuous Instruments | » Near My Neighbor | » Camerota |
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My work attempts to elicit organic action from deterministic systems. As such, it typically deals with the design and manipulation of a system (a program, an algorithm, an approach) rather than with an outcome directly. Thus, it always retains the possibility of surprise, of the unexpected. While some of the systems are simply graphic programs, others utilize photography and video for virtually remapping time and space, while still others are more robot-like: responsive devices that react to one another as well as to the environment. The question of free will in a deterministic universe is no longer religious or cosmological. It becomes practical or perhaps aesthetic: can beauty emerge from a deterministic system? |